Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Graphis 249, 1987

Information

Content includes:
Willy Fleckhaus: The modern master of magazine design.
Vigon Seireeni: New wave design in California.
Photographis ’87: A preview of the new international yearbook of photography.
Stephen Alcorn: Old world woodblock art succeeds in the new world.
Dan Weaks: The timeless journey of an extraordinary photographer.
Absolut Vodka: About that absolutely fantastic Absolut advertising.

Details

  • Format: Magazine
  • Designer/s: Tom Vack
  • Year: 1987
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 249, 1987
Graphis 249, 1987
More graphic design artefacts
Jugend, German Stamps, 1956. Stamp designs by michel + kieser
From the design archive:

Jugend, German Stamps, 1956

  • Format: Stamps
  • Designer/s: michel + kieser
  • Year: 1956
View Artefact
Graphik - Werbung + Formgebung, 3, 1954. Cover design by Ewald Hoinkis
From the design archive:

Graphik – Werbung + Formgebung, 3, 1954

  • Format: Magazine
  • Designer/s: Ewald Hoinkis
  • Year: 1954
View Artefact
Triple Bill, The National Theatre, London, 1968. Designed by Ken Briggs and Susan Channells
From the design archive:

Triple Bill, The National Theatre, London, 1968

  • Format: Programme
  • Designer/s: Ken Briggs and Susan Channells
  • Year: 1968
View Artefact
Art and Industry magazine August 1948
From the design archive:

Art and Industry magazine August 1948

  • Format: Magazine
  • Year: 1948
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Ads in trade journals for Bayer, Leverkusen designed by Wolfgang Bäumer c. 1962-1964. Scanned from Gebrauchsgraphik, July 1966
  • Design Archive Feature, Members Only Content

Dynamic Form. The 1960s Advertising Design of Wolfgang Bäumer

Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.
Rudolph de Harak - Rational-Simplicity
  • Design Books

Rational Simplicity, the first major monograph of Rudolph de Harak by Richard Poulin

"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
Taxilan Adverisment designed by Atelier Theo Häussler
  • Design Archive Feature

Atelier Theo Häussler – Designing for the Pharmaceutical Industry by Carl Heussner, 1963

Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.
Armin Hofmann, Stadttheater Basel, 1961, Scanned from Gebrauchsgraphik, 4, 1962
  • Design Archive Feature

Armin Hofmann and the Stadttheater Basel by Jürg Federspiel, 1962

Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.