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Graphic Design History from Design Reviewed

Idea 307, 2004-11

Information

Content includes:
Special Feature: Graphic Design in Korea / Ahn Sang-soo / When Pigs Design Vol.29 by Kyoichi Tsuzuki “A monologue of a bathhouse artist” / Invisible Language Vol.14 by Paul Elliman “World as a printing surface” / Typography Review vol. 7 “Producing the ‘Voice’ of an Organization” Text by Masahiko Kimura, Design by Yoshihisa Shirai, Supervision by Jiro Katashio / +2p [no.03] Daisuke Ueno / News + Information / Shinro Ohtake Original Serial Poster Part 10 “Fly on the Fly Spray, TANGER”Cover design by Ahn Sang-soo

Details

  • Format: Magazine
  • Designer/s: Ahn Sang-soo
  • Year: 2004
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 307, 2004-11
Idea 307, 2004-11. Cover design by Ahn Sang-soo
More graphic design artefacts
Industrial Art News - Vol. 27, No. 8, November 1959. Cover design by Yoshio Hayakawa
From the design archive:

Industrial Art News – Vol. 27, No. 8, November 1959

  • Format: Magazine
  • Designer/s: Yoshio Hayakawa
  • Year: 1959
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Latvian Youth - Journal for school and home, No.1, 45, September 1928. Cover design by Niklāvs Strunke
From the design archive:

Latvijas Jaunatne – Journal for school and home, No.1, 45, September 1928

  • Format: Magazine
  • Designer/s: Niklāvs Strunke
  • Year: 1928
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Gebrauchsgraphik, 4, 1960
From the design archive:

Gebrauchsgraphik, 04, 1960

  • Format: Magazine
  • Year: 1960
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Design (Japan), 111, 1968. Cover design by Mitsuo Katsui
From the design archive:

Design (Japan), 111, 1968

  • Format: Magazine
  • Designer/s: Mitsuo Katsui
  • Year: 1968
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More graphic design history articles

Members Content

Graphis Magazine - Graphic Design History
  • Design Archive Feature, Members Only Content

Graphis – An inspiring magazine from cover to cover

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.

Members Content

DSC_0677
  • Design Archive Feature, Members Only Content

Ken Briggs and his iconic designs for the National Theatre

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

Graphic Design 30, 1968 | Ikko Tanaka | Japanese Magazine
  • Design Archive Feature, Members Only Content

Japanese Modernism

Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
  • Design Archive Feature, Members Only Content

Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.