Studio International, February 1964

Information

Editor/G. S. Whittet
Art Editor/David Pelham
Advertisement Manager/Michael Kinloch
Volume 167 Number 850

Content includes:
Gwyther Irwin. The Artist at Work: 26/Mervyn Levy
Josef Albers/Daniel and Eugenia Robbins
Antony Hollaway. Artist for Architecture/Bernard Orna
Dunn International/the exhibition reviewed
Franco Garelli. Exorcising Michelangelo/Michel Conil Lacoste
Six painters from Greece/Charles S. Spencer
Common market for artists. Paris Commentary/Alexander Watt
Faded idioms and new reactions. New York Commentary/Dore Ashton
Richier casts her shadow, new reliefs.
London Commentary/G. S. Whittet
Collectors collected/George Savage

Cover:
Josef Albers
Homage to the Square: Apparition, 1959
Oil on board. 471 × 473 in.
Collection of the Solomon R. Guggenheim
Museum, New York

Details

Linked Information

Studio International, February 1964. Cover artwork by Josef Albers
Studio International, February 1964. Cover artwork by Josef Albers
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

Members Content

The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

Members Content

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.