Content includes:
Quantifying Order in Typographic Design, Gui Bonsiepe
‘Writing’ and “Alphabet,” John Mountford Standardization of Alphabetic Graphemes, S. B. Telingater
Typographic Anamorphosis, Jan Slothouber and William Graatsma
Towards a Standard for Measuring the Accuracy of Any Computer-hyphenation Program, Dwight D. Brown
Pictures to be Read/Poetry to be Seen, Jan van der Marck
The A.Typ.I. Legibility Research Committee Report
Commentary: Psychological Research into Legibility, Jeremy J. Foster
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
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Members Only Content, Designer Profiles, Studios & Collectives
A 1903-1904 article on Die Steglitzer Werkstatt, originally in German, published in Deutsche Kunst und Dekoration, Vol. XIII, October 1903–March 1904.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.
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