Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Visible Language (The Journal of Typographic Research), Vol 02, 03, July 1968

Information

Content includes:
Quantifying Order in Typographic Design, Gui Bonsiepe
‘Writing’ and “Alphabet,” John Mountford Standardization of Alphabetic Graphemes, S. B. Telingater
Typographic Anamorphosis, Jan Slothouber and William Graatsma
Towards a Standard for Measuring the Accuracy of Any Computer-hyphenation Program, Dwight D. Brown
Pictures to be Read/Poetry to be Seen, Jan van der Marck
The A.Typ.I. Legibility Research Committee Report
Commentary: Psychological Research into Legibility, Jeremy J. Foster

Details

  • Format: Magazine
  • Designer/s: Jack Stauffacher
  • Year: 1968
  • Size: 154mm x 233mm

Linked Information

Visible Language (The Journal of Typographic Research, Vol 02, 03, July 1968
Visible Language (The Journal of Typographic Research, Vol 02, 03, July 1968
More graphic design artefacts
The B.B.C Year-Book, 1931. Cover design by Dora M. Batty
From the design archive:

The B.B.C Year-Book, 1931

  • Format: Book
  • Designer/s: Dora M. Batty
  • Year: 1921
View Artefact
Atlas Filmheft 54 - Fanfan, der Husar designed by Walter Tafelmaier
From the design archive:

Atlas Filmheft 54 – Fanfan, der Husar

  • Format: Film Programme
  • Designer/s: Walter Tafelmaier
View Artefact
Graphis 155, 1971. Cover design by Walter Grieder.
From the design archive:

Graphis 155, 1971

  • Format: Magazine
  • Designer/s: Walter Grieder
  • Year: 1971
View Artefact
Philobiblon. Jahrgang 23. Heft 2. Juni 1979.
From the design archive:

Philobiblon. Jahrgang 23. Heft 2. Juni 1979

  • Format: Book
  • Year: 1979
View Artefact

view more of the graphic design archive

More graphic design history articles
Full-page ads for the newspaper «Stuttgarter Nachrichten» designed by Herbert W. Kapitzki
  • Design Archive Feature

Abstract Publicity – Self-Advertisements of the Stuttgarter Nachrichten by Fritz Seitz, 1963

The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
Read Article
Frank René Testemale’s IBM Advertising in France. Scanned from Gebrauchsgraphik, 4, 1964.
  • Design Archive Feature

Frank René Testemale’s IBM Advertising in France by Alexandre Alexandre, 1964

IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
Read Article

Members Content

Poster for Nikon 1954, designed by Yusaku Kamekura. Scanned from Creation No.21, Yusaku Kamekura Issue, 1998
  • Design Archive Feature, Members Only Content

Yusaku Kamekura and his Design for Nikon

Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. His used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.
Read Article
Oskar Reiner, Automotive Publicity Cover
  • Design Archive Feature

Oskar Reiner’s, Automotive Publicity by Carl Heussner, 1962

Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.
Read Article