Information

Content includes:
Hans Kuh- Perceptual Abstractions – Designs by Frank Eidlitz
Armin Eichholz – Selection of Swiss Poster 1965
J.J. de Lucio-Meyer – Crosby | Fletcher | Forbes | Gill
Christa Pieske – Business cards from the 19th century
Eberhard Hölscher – Signets and trade-marks of the world
Ludwig Ebenhöh – I V C – Advertisement Competition 1965

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Linked Information

Gebrauchsgraphik, 6, 1966. Cover design by Antoni Clavé
Gebrauchsgraphik, 6, 1966. Cover design by Antoni Clavé

Gebrauchsgraphik, 6, 1966 Inner
Gebrauchsgraphik, 6, 1966 Inner

 

Gebrauchsgraphik, 6, 1966 Inner
Gebrauchsgraphik, 6, 1966 Inner

Gebrauchsgraphik, 6, 1966 Inner
Gebrauchsgraphik, 6, 1966 Inner

Gebrauchsgraphik, 6, 1966 Inner
Gebrauchsgraphik, 6, 1966 Inner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

Members Content

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.