Art and Industry 356, February 1956

Information

Content includes:
Recorder-Breakers or World-Beaters?
Lyons looks to its Packaging
Landmarks & Pointers in Kitchen Design by George Fejér, MSIA
Silver Jubilee
New Backgrounds to Music
Two New Synthetics
Self-Service for the Discophile

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Art and Industry 356, February 1956
Art and Industry 356, February 1956
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.

Members Content

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.

Members Content

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.