Graphis 90, 1960

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Content includes:
Bettina Hurlimann, Zurich: Picture-Books of Our Day
Prof. Hans Fabigan, Wien:Advertising and Editorial Art in Austria
Jose Gomez-Sicre, Washington: Jose Luis Cuevas: Kafka
R. Haughton James, Melbourne: Advertising Art in Australia
Charles Rosner, London:Advertising Art for Australia Abroad
Gillo Dorfles, Milano: Lora Lamm
Armin Kesser, Zurich: Coptic Textiles from Burial Grounds in Egypt

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Graphis 90, 1960
Graphis 90, 1960
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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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Hiroshi Ohchi was a prominent Japanese designer, known for his playful and imaginative illustrated poster and packaging designs. He often combined bright colours with simple geometric forms and illustrated people and humanistic elements.