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Beyond his books, Dick Bruna's vivid colour and simplified forms found their way onto posters, packaging, murals and stamps, many of which feature in my growing collection.

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An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer

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A 1903-1904 article on Die Steglitzer Werkstatt, originally in German, published in Deutsche Kunst und Dekoration, Vol. XIII, October 1903–March 1904.

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A collected visual record of the Kanto, Chubu and Tohoku Lottery tickets.

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April Greiman is known for her experimental approach to graphic design,  her role in the development of Californian New Wave and being one of the first designers to fully embrace the computer in her work.

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A collected visual record of the first eight years of Japan’s Rural Medical Care Promotion Lottery.

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A 1936 article on Ludwig Hohlwein, originally in German, published in Graphische Nachrichten, Vol 13, 11, November 1934

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A continuation of my last article: 50 tickets from Japan spanning nearly 50 years (1956–2004). This time it's another 50, spanning 50 years, 1956–2006.

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50 tickets from Japan spanning nearly 50 years (1956–2004).

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60 examples of Czech typography from Typografia Vol. 21 (1910). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Alois Rieger, Methoděj Kaláb, Alois Chvála and many more.

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Art Deco graphic design history: its Paris origins, key pioneers Cassandre, Carlu and McKnight Kauffer, and how the style evolved across Britain, Germany, Italy, Spain and the US.

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100 Indian matchbox labels, c.1945–1975. Nationalist iconography, illustrated wildlife, and trade marks from small manufacturers across India

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60 examples of Czech typography from Typografia Vol. 23 (1912). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Jindra Dvořáček, Methoděj Kaláb, Alois Chvála and many more.

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Across Europe, industry unions and trade journals shaped the professionalisation of graphic design between 1890 and 1930. Journals such as Typografia, Das Plakat, The Penrose Annual and Typographische Jahrbucher.

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Art Nouveau spread through magazine covers across Europe, from the German Jugend to the Czech Typografia, and regional variations shaped the movement's visual style in print.

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60 examples of Czech typography from Typografia Vol. 22 (1911). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Alois Chvála, V. H. Brunner and many more.

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A collection of matchbox labels from around the world. Graphic design history of one of advertising's smallest and most overlooked formats.
60 examples of Czech typography from Typografia Vol. 20 (1909). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Otokar Císař, Karel Dyrink and many more.

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40 examples of Czech typography from Typografia Vol. 18 (1907). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.

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50 examples of Czech typography from Typografia Vol. XIX (1908). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.

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An overview of graphic design in 1900, exploring Art Nouveau, the Eckmann-Schrift typeface, the Steglitz Workshop, the Doves Press and more, illustrated with artefacts from the Design Reviewed archive.

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German printer's plates from the early 1900s revealing how commercial graphic design shifted from Jugendstil ornament to modern identity design.

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A 1928 article on typographic carnival posters, originally in German, published in Typographische Mitteilungen, Vol 25, No 02, February 1928

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Joseph Binder translated machine-age aesthetics into refined Art Deco compositions. These magazine covers have become prime examples of American commercial modernism.

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From Jugend and Ver Sacrum to Penrose Annual, an essay on design movements, shaping modernism, and early graphic design.

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Bob Salpeter was trained by Paul Rand at IBM and educated in New York, at the School of Visual Arts and the School of Industrial Art. Salpeter went on to build an extensive and impressive career working with clients such as the American Museum of Natural History, the World Golf Hall of Fame, the American Cancer Society, Scott Printing and IBM.

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Westvaco Inspirations was founded in 1925 by the West Virginia Pulp and Paper Company. Bradbury Thompson’s produced approximately sixty issues, experimenting with typography, photography, and illustrations.
More design articles coming soon!

More from Design Reviewed

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Beyond his books, Dick Bruna's vivid colour and simplified forms found their way onto posters, packaging, murals and stamps, many of which feature in my growing collection.

Members Content

An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer

Members Content

A 1903-1904 article on Die Steglitzer Werkstatt, originally in German, published in Deutsche Kunst und Dekoration, Vol. XIII, October 1903–March 1904.