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Graphic Design History from Design Reviewed
Toshihiro Katayama - Japanese Graphic Designer

Quarterly Design No.7 Autumn 1974

Information

Content includes:
① 15 photographers exhibition / Mutsuro Sakata
② Book review / Design for survival / Ko Miyauchi
③ New issue introduction Photographs and art
④ New issue introduction Sandwich silencer / Takeshi Hisada
⑤ Suburbs to be decolorized / Takeo Kitano
Max Bill prints
For the new prints of Max Bill / Toshiro Habara
Writer Series 6th Toshihiro Katayama’s modeling
Modeling by Toshihiro Katayama / Koji Taki
Mr. Katayama from the United States / Susumu Shingu
Mental topology traveler / Shutaro Mukai
Katayama and I / Tsunehisa Kimura
Yusaku Kamekura’s symbol mark / Kazumasa Nagai
Illustration by Haruo Takino / Ikko Tanaka
From a solo exhibition at Fujie Gallery
Sandwich silencer
Frank Lloyd Wright’s decoration / Photo: Shunji Okura
Warship and grassland / Shinichi Kusamori
Graphic image” 74
It’s a splendid salon, but the “critical place” is / Ryoichi Hirai
Series ③ Rational part of the horizon image of design Jacques Bertin’s “figure” semiotics / Koji Taki

Details

  • Format: Magazine
  • Designer/s: Toshihiro Katayama
  • Year: 1974
  • Client/Publisher: Bijutsu Shuppansha
Toshihiro Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.

Linked Information

Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama
Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama

 

Quarterly Design No.7 Autumn 1974
Quarterly Design No.7 Autumn 1974

 

Quarterly Design No.7 Autumn 1974
Quarterly Design No.7 Autumn 1974
Toshihiro Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
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