Typography 4, Shenval Press, Autumn 1937

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Robert Harling [Edited by]
The Optical Scale in Typefounding by Harry Carter
The Dust Wrapper by Misha Black
The Work of Edmond Kapp by Gordon Bromley
The Paper-Valentine by Roland Knaster includes many wonderful vintage samples.
Bookshelf includes a review of Circle. International Survey Of Constructive Art
Handwriting Reform by Alfred Fairbank
American Visit by James Shand
Type Reviews and Specimens

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Typography 4, Shenval Press, Autumn 1937
Typography 4, Shenval Press, Autumn 1937
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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.