Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Gebrauchsgraphik, 06, 1955

Information

Content includes:
Eberhard Hölscher: Magazine covers by Otto Glaser
Ludwig Ebenhöh: Felix Müller / Karl Oskar Blase – Posters
Carl Heußner: Paul Dietrich Commercial Art
Eberhard Hölscher: Advertisements from old «Simplicissimus:
Ludwig Ebenhöh: Posters from Japan
Hermann Wills: The rising generation in Berlin
Carl Heußner: The best Swiss posters of 1954
Who is who?

Details

  • Format: Magazine
  • Year: 1955
  • Client/Publisher: Bruckmann Verlag
  • Size: 210mm x 295mm

Linked Information

Gebrauchsgraphik, 6, 1955
Gebrauchsgraphik, 6, 1955
More graphic design artefacts
Designed in the USSR 1950-1989, Phaidon, 2018
From the design archive:

Designed in the USSR 1950-1989, Phaidon, 2018

  • Format: Book
  • Year: 2018
View Artefact
Packaging Design Vol 12, No 3, 1971. Cover design by David Barnett
From the design archive:

Packaging Design Vol 12, No 3, 1971

  • Format: Magazine
  • Designer/s: David Barnett
  • Year: 1971
View Artefact
Idea 173, 1982-7. Cover design by Ryo Urano
From the design archive:

Idea 173, 1982-7

  • Format: Magazine
  • Designer/s: Ryo Urano
  • Year: 1982
View Artefact
TYPEONE Magazine — Issue 04, 2022
From the design archive:

TYPEONE Magazine — Issue 04, 2022

  • Format: Magazine
  • Year: 2022
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Gregory Vines, Typographische Monatsblätter, issues 1-6, 1978 - Process
  • Design Archive Feature, Members Only Content

Gregory Vines – Design and Process of the Typographische Monatsblätter 1978 Covers

Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.
Read Article

Members Content

Scan 415
  • Design Archive Feature, Members Only Content

Manifestos on Kinetic Art

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
Read Article
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Read Article

Members Content

2000 PX
  • Design Archive Feature, Members Only Content

The 1920s design work of Joseph Binder

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
Read Article