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Collected Graphic Design History from Design Reviewed

Graphische Nachrichten, Vol 17, August 1938

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  • Format: Magazine
  • Year: 1938
  • Size: 230mm x 320mm

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Graphische Nachrichten, Vol 17, August 1938
Graphische Nachrichten, Vol 17, August 1938
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Novum Gebrauchsgraphik, 07, 1980

  • Format: Magazine
  • Year: 1980
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BEA, Tariff Brochure, September 1968
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BEA, Tariff Brochure, September 1968

  • Format: Brochure
  • Year: 1968
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Victor Vasarely, Stedelijk Museum, Amsterdam, 1967. Designed by Wim Crouwel and Josje Pollmann (Total Design)
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Victor Vasarely, Stedelijk Museum, Amsterdam, 1967

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Josje Pollmann (Total Design)
  • Year: 1967
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Gebrauchsgraphik, 9, 1967. Cover design by Carlo Bruni
From the design archive:

Gebrauchsgraphik, 9, 1967

  • Format: Magazine
  • Designer/s: Carlo Bruni
  • Year: 1967
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  • Design Archive Feature, Members Only Content

And So…the Needlework Development Scheme

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.
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  • Design Books

Volume launches the first major retrospective of American graphic design polymath and mid-century modernist master, Rudolph de Harak

In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.
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Members Content

Kupka, Stedelijk Museum, Amsterdam, 1968 designed by Wim Crouwel (Total Design)
  • Design Archive Feature, Members Only Content

Wim Crouwel and the Stedelijk Museum

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
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Parallel Public Experimental Art in Late East Germany By Sara Blaylock
  • Design Books

Parallel Public – Experimental Art in Late East Germany By Sara Blaylock

Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.
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