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Content includes:
Nanban art as seen by Italians / Ikko Tanaka
Folon works collection / Masaru Katsumi, Tetsuro Ito
Robots and Computopia? / Masaru Katsumi
computer graphics
・Art Duchamp System / Masao Yukimura (CTG)
・G=Computer Technique Group
・The philosophy of computer art / Hiroshi Kawano
Mexico 1968 Olympic Design Policy / Akari Sakai
Company and design at Canon / Hideo Mukai
Clock face / Riki Watanabe
Ryuichi Yamashiro’s / Kazuo Shinohara
Yoshitara Isaka’s / Shinichi Kusamori
Vaudeville flyer / Isamu Kenmochi
Techne Computer input/output device / CTG

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 33, 1969. Cover design by Stan Vanderbeek + Akio Kanda
Graphic Design 33, 1969. Cover design by Stan Vanderbeek + Akio Kanda
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.