The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929

Information

Lettering Layout and Copywriting 文字の配列と文案集

Details

Linked Information

The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929
The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929

 

The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929
The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929

 

The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929
The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929

 

The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929
The Complete Commercial Artist (現代商業美術全集), Ars, No. 17, 1929
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

Members Content

A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.

Members Content

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.