Content includes:
Designing an Exhibition. By Douglas Tanner, F.R.I.B.A.
Venesta Exhibition Stand Competition
New Paths in Poster Work. By Jan Tschichold
Is Modern Advertising in Touch with the Public By Leslie Stubbings of Service Advertising Co., Ltd.
Michel Bouchaud
Style and the Art Director. By Walter Smith of J. Walter Thompson Company
Dudley Hardy, Masters of the Poster, 4. By Stanley Rowland
The Fashion Parlour. By A. S. Levetus
Juan Oliver. By Earle K. James
A. M. Cassandre. Poster for Wagon Lits
Michel Bouchaud. Cover of Menu Card
Dudley Hardy. Poster The Gaiety Girl
Show Card for Abraham & Straus, New York
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content, Typography & Type Design
The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
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Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
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Advertising Design, Design Archive Feature, Designer Profiles, Members Only Content
Joseph Binder translated machine-age aesthetics into refined Art Deco compositions. These magazine covers have become prime examples of American commercial modernism.
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