Hans Hillmann

Herr Puntila und sein Knecht Matti. Die Kleine Filmkunstreihe 15, 1960

Details

  • Format Film Programme
  • Designer/s Hans Hillmann
  • Year 1960
  • Client/Publisher Neue Filmkunst. Walter Kirchner, Göttingen
  • Size 185mm x 230mm
Hans Hillmann
Hans Hillmann studied in 1948 to 1949 at the Schule für Handwerk und Kunst in Kassel. Between 1949 and 1953 he attended the Werkakademie and remained in Kassel, working as a graphic designer until 1956, then moved to Frankfurt. From 1954 to 1974, Hillmann designed over 150 film posters. Explore related designers including Gunter Rambow and Olaf Leu. See also German graphic design history and 1960s graphic design history.

Linked Information

Herr Puntila und sein Knecht Matti. Die Kleine Filmkunstreihe 15 designed by Hans HillmannHerr Puntila und sein Knecht Matti. Die Kleine Filmkunstreihe 15, 1960. Designed by Hans Hillmann

More graphic design artefacts
More graphic design history articles
The Typographic Work of Noel Martin

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories, Typography & Type Design

The Typographic Work of Noel Martin

A chance eBay find led me to a rare and extensive collection of work by midcentury American designer Noel Martin, including posters, museum ephemera, and print for major institutions like the Cincinnati Art Museum and Champion Papers.

Read Article
The Design and Photography of Hans Jürgen Rau by Hans Kuh, 1962

Advertising Design, Design Archive Feature

The Design and Photography of Hans Jürgen Rau by Hans Kuh, 1962

In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

Read Article
Katia Pecoraro: The dualism between system and freedom, design and life.

Designer Interview

Katia Pecoraro: The dualism between system and freedom, design and life.

"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."

Read Article