Content includes:
Good Work No. 6: Printing Review’s Readers
The Penrose Annual 1952
A. M. Cassandre. M. Henri Verdier
Painting in Relation to Poster Design. Ashley Havinden, O BE, RD I, F S I A
Auto-Lithography. Lynton Lamb, F SI A
Designers in Britain, Vol. 3
The Future of Fine Bindings. John Mason
Books for Printers
Letterpress Machine Work. D. Hopewell, M I PTG. M.
50 Years of the Monotype. Beatrice L. Warde
German Book Production since the War. René Elvin
Design and Printing. James Shand
Commercial Art in Japan To-day. W. P. Jaspert
Printing Administration in America. P. J. W. Kilpatrick
Renovating a Wharfedale Press. James H. Bravery
Dull Job – or Creative Opportunity? Eric Ferguson, MS I A
The Changing Background of the Poster. Charles Rosner
Magazine and Journal Typography. Ruari McLean, M S 1 A
An Attempt at Pre-Make Ready. John R. Barry
Editor: C. W. Cousland, B COM, D A A
Typography by Harold Bartram
Cover design by Eric Read
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content, Poster Design, Regional Histories
The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.
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Design Archive Feature, Advertising Design, Members Only Content
Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
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Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
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