Content includes:
Good Work No. 6: Printing Review’s Readers
The Penrose Annual 1952
A. M. Cassandre. M. Henri Verdier
Painting in Relation to Poster Design. Ashley Havinden, O BE, RD I, F S I A
Auto-Lithography. Lynton Lamb, F SI A
Designers in Britain, Vol. 3
The Future of Fine Bindings. John Mason
Books for Printers
Letterpress Machine Work. D. Hopewell, M I PTG. M.
50 Years of the Monotype. Beatrice L. Warde
German Book Production since the War. René Elvin
Design and Printing. James Shand
Commercial Art in Japan To-day. W. P. Jaspert
Printing Administration in America. P. J. W. Kilpatrick
Renovating a Wharfedale Press. James H. Bravery
Dull Job – or Creative Opportunity? Eric Ferguson, MS I A
The Changing Background of the Poster. Charles Rosner
Magazine and Journal Typography. Ruari McLean, M S 1 A
An Attempt at Pre-Make Ready. John R. Barry
Editor: C. W. Cousland, B COM, D A A
Typography by Harold Bartram
Cover design by Eric Read
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.
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Design Archive Feature, Designer Profiles, Members Only Content, Poster Design, Regional Histories
Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
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Advertising Design, Design Archive Feature, Members Only Content
Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.
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