Content includes:
Ipex, 1955
Print for a School by Aylwin Sampson, A. T.D.
Enlarging a Technical Trade Journal by Kenneth Day
Yesterday’s Catalogues by Alec Davis
New Chemical Method for Making Magnesium Printing Plates
by Dr. W. Scheisheimer
Calendars and Diaries
An Outline of Photogravure by G. C. Wensley, B.Sc.
Ottmar Mergenthaler
Varnish & Gum on Paper Dried in Five Seconds by Infra Red Heating
The Changing Face of Advertising Art by Charles Rosner
Street Literature by W. Turner Berry
16th Century Printing and Book Production by Leslie G. Luker, B. Sc.
The Mechanics of Fluorescence, by Leslie G. Luker, B. Sc.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Illustration
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
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Advertising Design, Corporate Identity & Branding, Design Archive Feature, Regional Histories
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
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Advertising Design, Regional Histories
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
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