Selected Contents: The XIth Olympiad, Berlin 1936: Sporting and Advertising Graphic Art • Advertising on Berlin’s Means of Transport; »Encyclopédie Photographique de l’Art«; Max Cordier, München; Max Hauschild
Selected Artists: Ib Andersen, Werner Beucke, Eugen Max Cordier, Max Hauschild, Ludwig Hohlwein, Emil Leitner, Studio Levitt-Him, Carl Süssmann
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Members Only Content, Regional Histories
Following on from my previous articles on post-war Italian publicity design, an additional annual from 1962-63 showcases more examples of Italian advertising.
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Corporate Identity & Branding, Design Archive Feature, Regional Histories, Studios & Collectives
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
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