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Content includes:
Christa Pieske: Polish Silhouettes
Klaus Gallwitz: Gerta Haller • Commercial Graphic Art
Hans Kuh: Illustrated head-lines in an American Magazine
Henry Möller: Regina May • Graphic art in the service of fashion
Alf Kayser: Jelmoli • Swiss Window Displays
Remigius Netzer: Heiner Rothfuchs • Illustrations
Eberhard Hölscher: Model Advertisements
Eberhard Hölscher: Glimpse of a Calendar Studio • The Volkswagen Works Wolfsburg

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Gebrauchsgraphik, 12, 1959. Cover design by Herbert Bauer
Gebrauchsgraphik, 12, 1959. Cover design by Herbert Bauer
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.