Ikko Tanaka - Japanese Graphic Designer

Graphic Design 88, 1982

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Content includes:
“Momochidori” by Utamaro-folio of bird prints
special feature 1: Kamekura yusaku’s graphic works
special feature 2: Ohashi tadashi’s graphic works
10th Brno Biennale 1982
Roger Bezombes’ poster series for Air France
design topics: the sign of the heart-Poland
illustration today in Japan/ “Let’s Speak With Poster-Anti-Nuclear”
30 Years of Japan Design Committee/new face of old typeface
“Come and see the sea” / High Heel Exhibition
isometric map-Midtown Manhattan
Neuhart Donges Neuhart Designers, California
“Data Visual” by Sugiyama + Muramatsu
screening of the 16th SDA Awards
Japan Typography Exhibition
Japan Graphic Designers Association news

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 88, 1982
Graphic Design 88, 1982. Cover design by Ikko Tanaka, 
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

Members Content

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.