CONTENTS
ART IN ADVERTISING
Typography: Dr. HANS SACHS, Berlin-Nikolassee
Hanoverian Advertising Art By Johann Friedrich Temming, Hanover. With 28 full-color illustrations and 24 color plates.
On the Bread and Bread of Graphic Arts By Hugo Hillig. Hamburg.
The Hungarian Poster of the Revolutionary Era By Carl Tobler, Herisau. With 21 illustrations, some in color.
Logo Competition of the Federation of German Commercial Graphic Designers. With 16 illustrations.
Competition for a Trademark for C. Pose With 3 illustrations.
Painting and Poster Art in Their Interaction By Dr. Adolf Behne, Berlin. With 14 illustrations
THE CULTURE OF ADVERTISING
Editor: HERMANN RECKENDORF, Berlin-Wilmersdorf
Cultural Tasks of Advertising By Hermann Th. Drege, Berlin
Political Advertising Work By H. Behrmann, Leipzig
REVIEWS AND REPORTS
Postscript to the War. Books by Grego, Pennell, Janin. (Dr. Schubert)
New German Bookplates II. By Richard Braungart. (Privy Councillor Councillor von Zur Westen)
The Bookplate. By Hans Rhaue. (Dr. Schubert)
The Competition of the Imperial Postal Ministry.
Competition Decisions
New Competitions
The Draft Law on Film Examination
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories
Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
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Design Archive Feature, Illustration, Members Only Content
An Anthology of Blues features a blend of typographic compositions and illustrations by Hans-Ulrich “Hazy” Osterwalder, alongside black and white photography, all working together in a limited palette of black and blue.
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Design Archive Feature, Designer Profiles, Magazines & Publishing, Members Only Content, Regional Histories
Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
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