Gebrauchsgraphik, 08, 1936

Selected Contents: Hungarian Advertising Art; Ernst Oehme; Walter Bohnefeldt; J. P. Junot, Paris; • »German Advertising«: Exhibition in Essen, from September 26th to October 11th, 1936

Selected Artists: Ernst Böhm, Walter Bohnefeldt, Hans Gaensslen, O. H. Hadank, J. P. Junot, Karl Michel, Ernst Oehme

Details

Andre F. Farcas
Gebrauchsgraphik
A German design magazine published from 1924 onwards, devoted to commercial art and advertising design.

Linked Information

Gebrauchsgraphik, 08, 1936. Cover design by Andre F. Farcas
Gebrauchsgraphik, 08, 1936. Cover design by Andre F. Farcas
The August 1936 issue of Gebrauchsgraphik features Hungarian Advertising Art, German Advertising and artwork by Ernst Böhm, Walter Bohnefeldt, Hans Gaensslen, O. H. Hadank, J. P. Junot, Karl Michel and Ernst Oehme.
More graphic design artefacts
More graphic design history articles
Franco Grignani’s Pharmaceutical Advertising Design

Advertising Design, Design Archive Feature, Members Only Content, Regional Histories

Franco Grignani’s Pharmaceutical Advertising Design

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.

Read Article
Navigating Public Spaces and the Principles of Good Design

Members Only Content

Navigating Public Spaces and the Principles of Good Design

Just like people, cities are complex systems. Planners and designers play a key role in making them function smoothly through well-designed signage systems and visual identities. These elements must not clutter the environment but instead serve to inform, direct, and warn the public effectively.  

Read Article
Armin Hofmann and the Stadttheater Basel by Jürg Federspiel, 1962

Design Archive Feature, Poster Design, Regional Histories

Armin Hofmann and the Stadttheater Basel by Jürg Federspiel, 1962

Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.

Read Article