Content includes:
Alexandre Alexandre – Cartoon Strips from Citroën‘s PR-Publication by Philippe Kailhenn
Has Kuh – Posters And TV-Graphics Designs by Frieder and Renate Grindler
J.J. de Lucio-Meyer – A new Image For a New Bank. The Royal Bank of Scotland Limited Allied International Designers
Richard Roth – Signet Contest For the Nuremberg Dürer Year 1971
Werner Schmidmaier The Best Ads of 1968
Walter Plata – VAN DER GRINTEN, A Corporate Image
Theodor Hilten Kurt-Uwe Nastvogel. An As Yet Unknown Cartoonist
Pieter Brattinga – Réné Treumann, one of the young Dutch typographic designers
Design Archive Feature, Designer Profiles, Members Only Content, Poster Design
Scanned posters by the great Michele Spera. Many use a strong use of geometric form, often paired with sans-serif typefaces like Helvetica. Their simplification of form and use of colour create timeliness, recognisable posters that would have stood out alongside the posters of the 1970s which tended to have a heavy use of photography.
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Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
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The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
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