Gebrauchsgraphik, 06, 1950

Content includes:
Werner Suhr: Otto Stanzig, Designs for Cosmetics
Anton Sailer: Wolfgang Znamenacek, Scenic Designs
Alexandre Alexandre: Pharmaceutical Prospectuses from France
E. Hölscher: The best Swiss Posters of 1949
Erik Stockmarr: 900 Years of Oslo A Jubilee Publication
E. Hölscher: Results of a Poster Competition
Josef Käufer: Occupation with Types
E. Hölscher: Figurines by Anny Keim-Strauss
E. Hölscher: Hamburg Advertises Tourist Travel
E. Hölscher: G.W. Hörnig, Hamburg. Loans from other Countries

Details

Claus Hansmann
Gebrauchsgraphik
A German design magazine published from 1924 onwards, devoted to commercial art and advertising design.

Linked Information

Gebrauchsgraphik, 6, 1950. Cover design by Claus Hansmann
Gebrauchsgraphik, 6, 1950. Cover design by Claus Hansmann
More graphic design artefacts
More graphic design history articles
The IBM Poster Program: Visual Memoranda

Book Reviews & Press Releases, Corporate Identity & Branding

The IBM Poster Program: Visual Memoranda

In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

Read Article
Ikko Tanaka. Japanese Graphic Designer | 1930 – 2002 

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Ikko Tanaka. Japanese Graphic Designer | 1930 – 2002 

Ikko Tanaka (田中一光, 1930–2002) was a celebrated Japanese graphic designer. His client list included Mazda, Hanae Mori and Issey Miyake, Expo '85 in Tsukuba, World City Expo Tokyo '96, and the Victoria and Albert Museum.

Read Article
Flexible Visual Systems By Dr. Martin Lorenz

Book Reviews & Press Releases

Flexible Visual Systems By Dr. Martin Lorenz

Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

Read Article