Graphic Design 80, 1980

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Content includes:
Yanagi sori’s Milan exhibit symbol of good design in Japan
paper-cuts art by Yamamoto takashi
world situation as diagrammatized by Nakagaki nobuo
special feature / for the International Year of Disabled Persons
the competition for UNESCO’s poster / calendar for 1981: International Year of Disabled Persons
Murase shozo attempts—to be seen with Hands?
Oguro saburo’s Assembly Blocks for the Blind
Type Art Contest for Handicapped People
Massimo and Lella Vignelli, New York-husband-wife team from Milan
Third Annual STA / 100 Show in Chicago
8th International Poster Biennale Warsaw
9th Brno International Graphic Design Biennale
global new waves in 80s – Bernard / Zahariants / Kündig / Tsubouchi
prophet of Art Deco-honor of Erté
our cover artists 1959-1980
index from No. 1-No. 79
Japan Graphic Designers Association news

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 80, 1980
Graphic Design 80, 1980. Cover design by Masayoshi Nakajo, 
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

Members Content

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.