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Content includes:
“noshi” and “mizuhiki”- traditional formal gift decorations
global new waves in 70s-Yugoslavia & Hungary Jagodic/ Borcic / Bucan / Knezevic / Krzisnik / Vipotnik Schmal / Molnár G. / Helényi / Felvidéki / Balla / Molnár K./ Bakos / Oláh
ecological zones of signs-cosmic world of pictures and letters
Tsukasa osamu’s recent works-image of life
Kojitani hiroshi’s art direction
V.C. common space and signs winds from everywhere

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Linked Information

Graphic Design 67, 1977
Graphic Design 67, 1977. Cover design by Nobuo Nakagaki
Issue 67 of the Japanese magazine, Graphic Design (グラフィックデザイン) published in 1977.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

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One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.