Content includes:
John Halas – GRAPHICS IN MOTION IV. Machine-Assisted Graphic Design
Christof Michaels – «View From the Window»
Alexandre Alexandre ENFI, PARIS – New Esthetics of Industrial Form
J. J. de Lucio-Meyer – CONRAN ASSOCIATES, LONDON – 100% Design as a Sales Argument for a Chain of Department-Stores
Christa Pieske – A Sample Book of Carpets From About 1840
Armin Hofmann – NOVUM EDUCATION – Some Suggestions on the Subject of Conceptional Design
From the graphic design archive:
From the graphic design archive:
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
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Design Archive Feature, Members Only Content, Regional Histories, Studios & Collectives
In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
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Design Archive Feature, Members Only Content, Movements
Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
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