Content includes:
Eberhard Hölscher: The best German posters of 1954
Eberhard Hölscher: Industrial posters without compromise?
Anton Sailer: Graphic artist Paul Flora
Ludwig Ebenhöh: Irish commercial art
Alexandre Alexandre: French titles of musical compositions
Felix Kramer: Modern advertising in the daily newspapers
Franz Hermann Wills: Werner Bürger, Berlin. Book covers and illustrations
Ingeborg Meinecke: Swiss youth advertises «Persil»
Lucienne R. Alexandre: The show windows of the «Galeries Lafayette»
Eberhard Hölscher: Arthur Zelger, Austrian commercial art
« Phoebus», a type of the type foundry Deberny et Peignot, Paris
Design Archive Feature, Designer Profiles, Magazines & Publishing, Members Only Content, Regional Histories
Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories, Studios & Collectives
A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
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Book Reviews & Press Releases, Corporate Identity & Branding
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.
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